In 1975, together with other professors, she formed the Center for Kinetic Research at the Design School of the University of Chile. In 1972 she completed her transfer from Professor of Fine Arts to the School of Design, becoming dependent on the Faculty of Architecture of the University of Chile in 1974 she was appointed full-time Research Professor at the School of Architecture. In 1960, when she was already a nationally established artist, deserving of important awards and distinctions, and having a long career as a professor, she was awarded a scholarship by the French Government to study in Paris.īetween 19 she was commissioned by the University of Chile to continue her research and studies on kinetic art in Paris. In 1951 she was appointed assistant to the Chair of Drawing and Painting at the School of Fine Arts of the University of Chile in 1955 she taught a watercolor course at the University’s Summer Schools, that same year she was appointed Assistant Professor of Drawing and Painting in the Fine Arts initiation courses, being in 1957 a full-time Interim Professor of the same chair. In 1948 she worked as a Drawing Teacher at Dunalastair College in 1950 she organized and created, together with other professors, an Academy of Plastic Arts in Providencia. In 1944 she studied mural painting with the artist Laureano Guevara and was his assistant in the making of murals in the Ciudad del Niño in the commune of La Cisterna in Santiago. In 1939 she entered the School of Fine Arts, where she was a student of Pablo Burchard and Jorge Caballero.
She began her artistic training in 1938, when she took private painting classes with the master Pedro Reszka. Married to the artist and professor at the University of Chile Gustavo Carrasco. She was born in Santiago, Chile, on Decemand died in the same city on October 02, 2014. Matilde Pérez Cerda is a painter, sculptor and visual artist. Kinetic sculpture in printed glass and metal.
The existence of kinetic and geometric works in the collection allowed us to expand our horizons and integrate these currents to the surrealist and figurative tendency that has characterized the Ralli Museums.Īmong the participating artists, Victor Vasarely (1908-1990, Hungary), Yaacov Agam (1928, Israel), Matilde Pérez (1916-2014, Chile), Julio Le Parc (1928, Argentina), Horacio García Rossi (1929-2012), Marina Apollonio (1940, Italy) Carmen Piemonte (1930, Chile), Omar Rayo (1928-2010, Colombia) and Liliana Iturriaga (1965, Chile).MATILDE PÉREZ. Today, Hall 18 joins the other 16 that the museum has had since its founding date in 1992. In this way Ralli Museum extends the curatorial line that structures the Ralli collection created by Mr. Museo Ralli has expanded its facilities to incorporate new halls and strengthen the position of the museum in the artistic and cultural landscape of the country, and we are proud to present in this new space the collective exhibition of paintings and engravings "Cinetism and Geometry, from the perspective of the Ralli Collection", acquired in Chile. Kinetic and Geometric Art- Under The OpticsĬollective exhibition of paintings, engravings and sculptures | Room 18Īt present, the Ralli Santiago Museum houses hundreds of works, and on this occasion it celebrates its 25th anniversary with an exhibition that pays homage to the trajectory of national and international geometric and kinetic artists.
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